Level 0 -> Off |
Thumb-X-press is turned off by activating the 'Panic' fingering
(3.1). Since the 'Panic' function is usually employed to 'clear the dock' for a new
patch, this is also a good starting point for work with thumb-X-press. |
|
Level 1 -> Octave Key |
After resetting parameters using the 'Panic' fingering, advance
thumb-X-press to level 1 and play a few notes. Touching the thumb-X-press membrane with your right thumb will cause notes to
be played an octave higher than their normal setting. They will return to the normal octave
when thumb pressure is released. |
|
Level 2 -> Pitch Bend
(DOWN)
<<
NEW EPROM V.4.5 Feature >> |
Applying pressure to thumb-X-press
results in pitch bending DOWN. It can be used simultaneously with lip pressure, doing a pitch vibrato. The
two pitch bending information data are internally combined. |
|
Level
3 -> Pitch Bend (UP) |
Applying pressure to thumb-X-press
results in pitch bending UP. It can be used simultaneously with lip pressure, doing a pitch vibrato. The
two pitch bending information data are internally combined. |
|
Level
4 -> Aftertouch |
Applying pressure to thumb-X-press results in sending
Aftertouch data. It can be used simultaneously with wind pressure, that may also be
assigned to generate Aftertouch. The two Aftertouch sources are internally combined. |
|
Level
5 -> Number of Voices in Chords |
Begin by making a harmony selection and playing some chords using lip control (i.e. Dynamic Harmony). Now advance
thumb-X-press to level 5. You should be able to control the number of voices in a chord using thumb pressure. More pressure adds more voices up to your predetermined
limit. Zero thumb pressure equals unison, with gradual increasing thumb pressure bringing in extra voices whenever you want them. |
|
Level 6 -> Lower/Upper MIDI Channel Selection
|
Advance thumb-X-press to level 6. No pressure on thumb-X-press
plays the sound on the original MIDI channel. Applying pressure to thumb-X-press
instantly reassigns your performance to the next higher MIDI channel. Release of pressure on
thumb-X-press instantly returns you to the
original MIDI channel. To experience this effect you must set your synthesizer to receive on multiple channels and select a separate sound for each
channel. Separate synthesizer units set to receive on adjacent channels will accomplish a
similar result. See your synthesizer manual for details
on multi-timbre operation. |
|
Level 7 -> b-II-Substitute Chords
|
Advance thumb-X-press to level 7. Pressure on thumb-X-press produces the same harmonic variations as those achieved with lip pressure set to
Dynamic Harmony level2 (see 4.6). Remember to select this level of harmony control and assign
at least two part harmony in order to hear this
powerful arranger's tool. |
|
Level
8 -> Freeze Harmony |
Advance thumb-X-press to level 8. Pressure on thumb-X-press captures the last chord
played and causes it to move in parallel motion. Once thumb-X-press is released, the chords returns to diatonic structures in your chosen key. |
|
Level
9 -> Sustain On/Off |
Advance thumb-X-press to level 9. Sustain pedal effects is turned on and off
by applying and releasing pressure to thumb-X-press. Remember that
volume control (derived from wind pressure) may also affect the decay of sustained sounds. If desired, the wind volume control can be set to
maximum (s.3.11) in order to have total control of sustain assigned to thumb-X-press. |
|